Spread the love

Among the turmoil and tragedy of present Palestinian existence, the fantastic thing about Palestinian embroidery is like a ray of light that brings a smile to most individuals’s faces. Whether one resides in Palestine or wherever else around the globe, it is a source of nice satisfaction and pleasure that one incorporates into one’s life, whether as pillows and wall hangings to decorate a home, a traditional dress to wear at particular events, an elegant evening jacket, or a valueless present to present a friend. As old workshops and young designers discover new ways to introduce Palestinian embroidery into elegant modern wear, the survival of this precious heritage is perpetuated and strengthened.

Although some particular person features of Palestinian costume and embroidery are shared with features of textile arts of neighboring Arab international locations, the Palestinian fashion has its special uniqueness that’s simply recognized by textile artwork enthusiasts all over the world. Most books on worldwide embroidery current Palestinian traditional costume and embroidery as the prime example of Middle Jap embroidery, affirming its worldwide fame.

How did this artwork kind develop? Really, a research of the event of the traditional Palestinian costume by way of the ages proves that this traditional costume comprises historical information that documents centuries of textile-artwork growth in the area, an art form that has somehow amazingly survived to this day. Whether one studies the ancient traditional simple minimize of the thobe, the history of the headdresses and accessories, the wonderful variety of styles of embroidery, the types of stitches, or the traditional origins of its patterns and motifs, one is deeply impressed with the historical richness of this legacy that dates back thousands of years, and which affirms the antiquity of Palestinian existence and roots, and the survival of its historical heritage.

The great thing about the Palestinian costume fashion had its influence on Europeans ranging from no less than the tenth to twelfth centuries AD, in the course of the Crusades. Arab kinds have been copied in Europe, as documented by several European historians. The sturdy trade between the Arab world and Europe throughout the thirteenth to the sixteenth centuries AD, in the course of the European Renaissance, was another instance of the spread of Arab textiles and embroidery to Europe. This resulted in Arab embroidery patterns being copied into European pattern books starting in 1523 in Germany, using the newly discovered printing press, and spreading quickly via translated variations to Italy, France, and England. Ranging from the eighteenth century, Europeans touring the Middle East described the beauty of Palestinian products costume and embroidery, and took embroideries back residence as souvenirs, considering them non secular artifacts from the Holy Land. In his book History of Folk Cross Stitch (1964), the historian Heinz Kiewe presents a chapter on “Historical cross stitch symbols from the Holy Land,” in which he confirms his “belief in the common, Palestinian supply of those designs” utilized in European folk embroideries, because the patterns utilized in Palestinian traditional dresses had been considered of religious significance and copied into European folk embroidery over the last a number of centuries for that reason. He mentions, for instance, basic Palestinian patterns such as the eight-pointed star and reesh(feathers), whose acquired European names became Holy Star of Bethlehem and Holy Keys of Jerusalem. Kiewe additionally mentions the transfer of Palestinian embroidery patterns to Europe by St. Francis of Assisi and their use in church embroideries, which had been recopied within the nineteenth century by the embroidery workshops of Assisi, whose embroidery type grew to become well-known throughout Europe. Within the early-nineteenth century, a number of European missionary teams collected Palestinian costumes and embroideries for show in Europe, often for church exhibits. These collections finally found their method into essential European museums and signify a few of the oldest extant pieces of Palestinian embroidery.